Liturgies. Hours. Rome. 1519. 8°. Paris: Thielman Kerver, for himself.: Difference between revisions
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<div class="notes">Signature pattern: ‘$i’–‘$iiii’.</div> | <div class="notes">Signature pattern: ‘$i’–‘$iiii’.</div> | ||
<div class="notes">Catchword pattern: none.</div> | <div class="notes">Catchword pattern: none.</div> | ||
<div class="notes">Types: [[R16]] (79mm); [[Rot94]] (52mm); [[Rot40]] [old | <div class="notes">Types: [[R16]] (79mm); [[Rot94]] (52mm); [[Rot40]] [old Rot8] also [[Rot68]] and [[Rot38]] (66mm).</div> | ||
<div class="notes">Devices: [[Renouard 499]] (T. Kerver).</div> | <div class="notes">Devices: [[Renouard 499]] (T. Kerver).</div> | ||
<div class="notes">Lombards: 3.5; 7.0.</div> | <div class="notes">Lombards: 3.5; 7.0.</div> | ||
Latest revision as of 20:41, 9 January 2024
21 June 1519
[Liturgies. Hours. Rome.]
Hore diue virginis Marie secundum vsum & ritum Romane curie nuperrime emisse, nouis effigiebus decorate, miroque sculpture genere munite. 1519.
[Paris]: [Colophon:] Nuperrime efformate extant opera Thielmanni keruer, Anno .1519. die .21. Iunii. Venundantur parisiis apud prefatum Thielmannum, [1519].
8°: A–S⁸.
Printed in Paris by Thielman Kerver for himself.
The new woodcuts and borders mentioned on the title page are mainly in a Renaissance style.
Signature pattern: ‘$i’–‘$iiii’.
Catchword pattern: none.
Devices: Renouard 499 (T. Kerver).
Lombards: 3.5; 7.0.
Illustrations: woodcuts and borders.
Bohatta 1031.
Inventaire chronologique 1519, no. 2084.
| [IS000375] | C.30.a.2. |