Motis, Giovanni, Inuectiua cetus feminei contra mares. 1505?. 8°. Lyon: Noel Abraham and Horace, Works. 1511. 2°. Paris: Josse Badius, for himself, Jean Petit and Denis Roce.: Difference between pages

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<div class="date"> 1505</div>
<div class="date">1 October 1511</div>
<div class="heading">Motis, Giovanni. </div>
<div class="heading">Horace. </div>
<div class="heading">Inuectiua cetus feminei contra mares. </div>
<div class="heading">Q. Horatii Flacci opera cum commentariis Ode quidem: Carmen Epodon &amp; Saeculare: cum ... Antonii Mancinelli: Et cum familiari Iodoci Badii Ascensii explanatione. </div>
<div class="imprint">[Lyon]: [pr. by Noel Abraham?], [c. 1505?]<i>.</i></div>
<div class="imprint">[Paris]:<i> Venundantur Parrhisijs ab Ioanne Paruo Dionysio Roce Et ipso Ascensio. </i>[Colophon 1:]<i> accuratione Ascensiana rursus coimpressa ad Nonas Septemb. MDXI. </i>[Colophon 2:]<i> rursus in ędibus Ascensianis vbi venundantur in aedibus Ioanis Parui ac Dionysii Roce: finita ad kalen. Octob. M.D.XI. </i>[Colophon 3:]<i> Impressa est rursum accuratione Ipsius Ascensii in nobilissimo parrhisiorum gymnasio</i>,<i> ad Quintum Idus Octob. Anni huius .M.D.XI. </i>[1511]<i>.</i></div>
<div class="collation">8°: a⁸ b⁴. </div>
<div class="collation">2°: π⁴ a–o⁸ p–r⁶ A–G⁶; H–L⁶{{superdiagstroke}}⁸. </div>
<div class="notes">Probably printed in Lyon by [[Noel Abraham]].</div>
<div class="notes">Printed in Paris by [[Josse Badius]] for himself, [[Jean Petit]] and [[Denis Roce]].</div>
<noinclude><div class="notes">Attributed by F. Isaac to the press of N. Abraham.</div>
<noinclude><div class="notes">Some copies are recorded with the device of J. Petit ([[Renouard 887]]) or that of Denis Roce ([[Renouard 1005]]).</div>
<div class="notes">Author named in head title.</div>
<div class="notes">Signature pattern: &lsquo;$&rsquo;–&lsquo;$v&rsquo;.</div>
<div class="notes">Signature pattern: &lsquo;$&rsquo;–&lsquo;$iiij&rsquo;.</div>
<div class="notes">Catchword pattern: none.</div>  
<div class="notes">Catchword pattern: none.</div>
<div class="notes">Types: [[Rot3]] (180mm); [[R20]] (68mm); [[R16B]] (76mm); [[R10]] (92mm); [[Gk10]] (68mm).</div>
<div class="notes">Types: [[B6]] (98mm); [[T3]] (260mm).</div>
<div class="notes">Initials: 13; 27; 45; 61.</div>
<div class="notes">Initials: 24.</div>
<div class="notes">Devices: [[Renouard 22]] (J. Badius).</div>
<div class="notes">Lombards: 9.0.</div>
<div class="bibliogs">Adams H859.</div>
<div class="notes">Illustrations: woodcut, 64×52 mm, scholar at desk, with cat and mouse.</div>
<div class="bibliogs"><i>Inventaire chronologique</i> 1511, no. 128.</div>
<div class="bibliogs">Renouard, <i>Badius</i>, ii, 508–9.</div>
<div class="bibliogs"><i>Imprimeurs parisiens</i>, ii, no. 164.</div>
<table border="0" cellpadding="0" cellspacing="0" summary="" width="100%" style="margin-bottom:2em;">
<table border="0" cellpadding="0" cellspacing="0" summary="" width="100%" style="margin-bottom:2em;">
<tr><td class="id" width="40%">&#91;IS001678&#93;</td><td class="copies"><b>C.107.a.7.</b></td></tr>
<tr><td class="id" width="40%">&#91;IS000756&#93;</td><td class="copies"><b>11385.k.5.</b><br><b>655.b.4</b> (lacks gathering π⁴)</td></tr>
</table>[[Category:Edition]]</noinclude><includeonly><table border="0" cellpadding="0" cellspacing="0" summary="" width="100%" style="margin-bottom:2em;">
</table>[[Category:Edition]]</noinclude><includeonly><table border="0" cellpadding="0" cellspacing="0" summary="" width="100%" style="margin-bottom:2em;">
<tr><td class="id" width="40%">&#91;[[IS001678|View full record]]&#93;</td><td class="copies"><b>C.107.a.7.</b></td></tr>
<tr><td class="id" width="40%">&#91;[[IS000756|View full record]]&#93;</td><td class="copies"><b>11385.k.5.</b><br><b>655.b.4</b> (lacks gathering π⁴)</td></tr>
</table></includeonly><noinclude>[[Category:Latin]]</noinclude>
</table></includeonly><noinclude>[[Category:Latin]]</noinclude>

Revision as of 14:20, 23 October 2022

1 October 1511
Horace.
Q. Horatii Flacci opera cum commentariis Ode quidem: Carmen Epodon & Saeculare: cum ... Antonii Mancinelli: Et cum familiari Iodoci Badii Ascensii explanatione.
[Paris]: Venundantur Parrhisijs ab Ioanne Paruo Dionysio Roce Et ipso Ascensio. [Colophon 1:] accuratione Ascensiana rursus coimpressa ad Nonas Septemb. MDXI. [Colophon 2:] rursus in ędibus Ascensianis vbi venundantur in aedibus Ioanis Parui ac Dionysii Roce: finita ad kalen. Octob. M.D.XI. [Colophon 3:] Impressa est rursum accuratione Ipsius Ascensii in nobilissimo parrhisiorum gymnasio, ad Quintum Idus Octob. Anni huius .M.D.XI. [1511].
2°: π⁴ a–o⁸ p–r⁶ A–G⁶; H–L⁶/⁸.
Printed in Paris by Josse Badius for himself, Jean Petit and Denis Roce.
Some copies are recorded with the device of J. Petit (Renouard 887) or that of Denis Roce (Renouard 1005).
Signature pattern: ‘$’–‘$v’.
Catchword pattern: none.
Types: Rot3 (180mm); R20 (68mm); R16B (76mm); R10 (92mm); Gk10 (68mm).
Initials: 13; 27; 45; 61.
Devices: Renouard 22 (J. Badius).
Adams H859.
Inventaire chronologique 1511, no. 128.
Renouard, Badius, ii, 508–9.
Imprimeurs parisiens, ii, no. 164.
[IS000756]11385.k.5.
655.b.4 (lacks gathering π⁴)
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