Petrarca, Francesco, Canzoniere. Trionfi. French. 1514. 2°. Paris: Gillet Couteau, for Barthélemy Verard. and Vivaldi, Giovanni Ludovico, De veritate contritionis. 1517. 8°. Paris: Jacques Pouchin, for Frederick d'Egmont.: Difference between pages

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<div class="date">23 May 1514</div>
<div class="date">17 October 1517</div>
<div class="heading">Petrarca, Francesco, 1304-1374. </div>
<div class="heading">Vivaldi, Giovanni Ludovico, -1540. </div>
<div class="heading">[Canzoniere. Trionfi. French.]</div>
<div class="heading">[De veritate contritionis.]</div>
<div class="heading">Les triumphes messire francoys petracque. [sic] .</div>
<div class="heading">Ioh. Ludouici Vivaldi Aureum opus de veritate contritionis in quo mirifica documenta eterne salutis aperiuntur. </div>
<div class="imprint">[Paris]:<i> Nouuellement imprimez a Paris Lan mil cinq cens et quatorze le .xxiiie. iour de may </i>[Colophon:]<i> Imprime a paris </i>[pr. by G. Cousteau]<i> pour berthelemy verard</i>, [1514]<i>.</i></div>
<div class="imprint">[Paris]: [Colophon:]<i> Recentissime impressum optimis characteribus </i>[pr. in Paris, by J. Pouchin?; for F. d&rsquo;Egmont]<i>. Anno xvij. supra millesimum &amp; quingentesimum. Die vero decima septima mensis Octobris </i>[1517]<i>.</i></div>
<div class="collation">2°: a–l A–P⁶ Q⁴. </div>
<div class="collation">8°: a–y⁸ z⁴. </div>
<div class="notes">Printed in Paris for [[Barthélemy Verard]] with the typographical material of [[Gillet Cousteau]].</div>
<div class="notes">Printed in Paris for [[Frédéric II d'Egmont]], possibly printed with the typographical material of [[Jacques Pouchin]].</div>
<noinclude><div class="notes">Signature pattern: &lsquo;$i&rsquo;–&lsquo;$iiii&rsquo;.</div>
<noinclude><div class="notes">With the bookseller&rsquo;s device of Frédéric d&rsquo;Egmont, at work in Paris from 1516 to 1531.</div>
<div class="notes">Signature pattern: &lsquo;$.i.&rsquo; and &lsquo;$.j.&rsquo;–&lsquo;$.iiij.&rsquo;.</div>
<div class="notes">Catchword pattern: none.</div>
<div class="notes">Catchword pattern: none.</div>
<div class="notes">foliation.</div>
<div class="notes">Types: [[T16]] (116mm); [[Rot94]] (53mm).</div>
<div class="notes">Types: [[B3]] (105mm); [[B12]] (84mm).</div>
<div class="notes">Initials: 13; 16.</div>
<div class="notes">Initials: 19; 26 strapwork; 28; 30 typecaps; L 33.</div>
<div class="notes">Devices: [[Renouard 288]] (F. d&rsquo; Egmont).</div>
<div class="notes">Devices: [[Renouard 1089]] (B. Verard).</div>
<div class="notes">Lombards: 11.0.</div>
<div class="notes">Lombards: 15.0.</div>
<div class="bibliogs"><i>Inventaire chronologique</i> 1517, no. 1727.</div>
<div class="notes">Illustrations: xylographic title; woodcuts.</div>
<div class="bibliogs"><i>Inventaire chronologique</i> 1514, no. 933.</div>
<div class="bibliogs">Macfarlane, <i>Verard</i>, no. 286.</div>
<table border="0" cellpadding="0" cellspacing="0" summary="" width="100%" style="margin-bottom:2em;">
<table border="0" cellpadding="0" cellspacing="0" summary="" width="100%" style="margin-bottom:2em;">
<tr><td class="id" width="40%">&#91;IS000624&#93;</td><td class="copies"><b>83.l.1.</b></td></tr>
<tr><td class="id" width="40%">&#91;IS000057&#93;</td><td class="copies"><b>C.111.aa.20.</b></td></tr>
</table>[[Category:Edition]]</noinclude><includeonly><table border="0" cellpadding="0" cellspacing="0" summary="" width="100%" style="margin-bottom:2em;">
</table>[[Category:Edition]]</noinclude><includeonly><table border="0" cellpadding="0" cellspacing="0" summary="" width="100%" style="margin-bottom:2em;">
<tr><td class="id" width="40%">&#91;[[IS000624|View full record]]&#93;</td><td class="copies"><b>83.l.1.</b></td></tr>
<tr><td class="id" width="40%">&#91;[[IS000057|View full record]]&#93;</td><td class="copies"><b>C.111.aa.20.</b></td></tr>
</table></includeonly><noinclude>[[Category:French]]</noinclude>
</table></includeonly><noinclude>[[Category:Latin]]</noinclude>

Revision as of 16:05, 6 July 2021

17 October 1517
Vivaldi, Giovanni Ludovico, -1540.
[De veritate contritionis.]
Ioh. Ludouici Vivaldi Aureum opus de veritate contritionis in quo mirifica documenta eterne salutis aperiuntur.
[Paris]: [Colophon:] Recentissime impressum optimis characteribus [pr. in Paris, by J. Pouchin?; for F. d’Egmont]. Anno xvij. supra millesimum & quingentesimum. Die vero decima septima mensis Octobris [1517].
8°: a–y⁸ z⁴.
Printed in Paris for Frédéric II d'Egmont, possibly printed with the typographical material of Jacques Pouchin.
With the bookseller’s device of Frédéric d’Egmont, at work in Paris from 1516 to 1531.
Signature pattern: ‘$.i.’ and ‘$.j.’–‘$.iiij.’.
Catchword pattern: none.
Types: T16 (116mm); Rot94 (53mm).
Initials: 13; 16.
Devices: Renouard 288 (F. d’ Egmont).
Lombards: 11.0.
Inventaire chronologique 1517, no. 1727.
[IS000057]C.111.aa.20.
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