Luca-Antonio Giunta and Horace, Works. 1511. 2°. Paris: Josse Badius, for himself, Jean Petit and Denis Roce.: Difference between pages
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<div class="date">1 October 1511</div> | |||
<div class="heading">Horace. </div> | |||
<div class="heading">Q. Horatii Flacci opera cum commentariis Ode quidem: Carmen Epodon & Saeculare: cum ... Antonii Mancinelli: Et cum familiari Iodoci Badii Ascensii explanatione. </div> | |||
<div class="imprint">[Paris]:<i> Venundantur Parrhisijs ab Ioanne Paruo Dionysio Roce Et ipso Ascensio. </i>[Colophon 1:]<i> accuratione Ascensiana rursus coimpressa ad Nonas Septemb. MDXI. </i>[Colophon 2:]<i> rursus in ędibus Ascensianis vbi venundantur in aedibus Ioanis Parui ac Dionysii Roce: finita ad kalen. Octob. M.D.XI. </i>[Colophon 3:]<i> Impressa est rursum accuratione Ipsius Ascensii in nobilissimo parrhisiorum gymnasio</i>,<i> ad Quintum Idus Octob. Anni huius .M.D.XI. </i>[1511]<i>.</i></div> | |||
<div class="collation">2°: π⁴ a–o⁸ p–r⁶ A–G⁶; H–L⁶{{superdiagstroke}}⁸. </div> | |||
<div class="notes">Printed in Paris by [[Josse Badius]] for himself, [[Jean Petit]] and [[Denis Roce]].</div> | |||
<noinclude><div class="notes">Some copies are recorded with the device of J. Petit ([[Renouard 887]]) or that of Denis Roce ([[Renouard 1005]]).</div> | |||
<div class="notes">Signature pattern: ‘$’–‘$v’.</div> | |||
<div class="notes">Catchword pattern: none.</div> | |||
<div class="notes">Types: [[Rot3]] (180mm); [[R20]] (68mm); [[R16B]] (76mm); [[R10]] (92mm); [[Gk10]] (68mm).</div> | |||
| | <div class="notes">Initials: 13; 27; 45; 61.</div> | ||
<div class="notes">Devices: [[Renouard 22]] (J. Badius).</div> | |||
<div class="bibliogs">Adams H859.</div> | |||
<div class="bibliogs"><i>Inventaire chronologique</i> 1511, no. 128.</div> | |||
<div class="bibliogs">Renouard, <i>Badius</i>, ii, 508–9.</div> | |||
<div class="bibliogs"><i>Imprimeurs parisiens</i>, ii, no. 164.</div> | |||
<table border="0" cellpadding="0" cellspacing="0" summary="" width="100%" style="margin-bottom:2em;"> | |||
<tr><td class="id" width="40%">[IS000756]</td><td class="copies"><b>11385.k.5.</b><br><b>655.b.4</b> (lacks gathering π⁴)</td></tr> | |||
</table>[[Category:Edition]]</noinclude><includeonly><table border="0" cellpadding="0" cellspacing="0" summary="" width="100%" style="margin-bottom:2em;"> | |||
<tr><td class="id" width="40%">[[[IS000756|View full record]]]</td><td class="copies"><b>11385.k.5.</b><br><b>655.b.4</b> (lacks gathering π⁴)</td></tr> | |||
</table></includeonly><noinclude>[[Category:Latin]]</noinclude> | |||
Latest revision as of 18:36, 19 April 2023
1 October 1511
Horace.
Q. Horatii Flacci opera cum commentariis Ode quidem: Carmen Epodon & Saeculare: cum ... Antonii Mancinelli: Et cum familiari Iodoci Badii Ascensii explanatione.
[Paris]: Venundantur Parrhisijs ab Ioanne Paruo Dionysio Roce Et ipso Ascensio. [Colophon 1:] accuratione Ascensiana rursus coimpressa ad Nonas Septemb. MDXI. [Colophon 2:] rursus in ędibus Ascensianis vbi venundantur in aedibus Ioanis Parui ac Dionysii Roce: finita ad kalen. Octob. M.D.XI. [Colophon 3:] Impressa est rursum accuratione Ipsius Ascensii in nobilissimo parrhisiorum gymnasio, ad Quintum Idus Octob. Anni huius .M.D.XI. [1511].
2°: π⁴ a–o⁸ p–r⁶ A–G⁶; H–L⁶/⁸.
Some copies are recorded with the device of J. Petit (Renouard 887) or that of Denis Roce (Renouard 1005).
Signature pattern: ‘$’–‘$v’.
Catchword pattern: none.
Initials: 13; 27; 45; 61.
Devices: Renouard 22 (J. Badius).
Adams H859.
Inventaire chronologique 1511, no. 128.
Renouard, Badius, ii, 508–9.
Imprimeurs parisiens, ii, no. 164.
| [IS000756] | 11385.k.5. 655.b.4 (lacks gathering π⁴) |